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Star Trek: The Next Generation (season 1)Star Trek: The Next Generation Season 1. Blu- ray cover. Country of origin. United States. No. Set in the 2. 4th century, the series follows the adventures of the crew of the Starfleetstarship.

Enterprise- D. It was the first live- action television series in the franchise to be broadcast since Star Trek: The Original Series was cancelled in 1. Paramount Television eventually sought the advice of the creator of Star Trek, Gene Roddenberry, who set about creating the new show with mostly former The Original Series staff members. An entirely new cast were sought, which concerned some members of The Original Series crew, as Roddenberry did not want to re- tread the same steps as he had in the first series to the extent that well known Star Trek aliens such as Vulcans, Klingons and Romulans were banned at first. Special Correspondents Online Putlocker.

The characters in the series gradually changed during preproduction, with adjustments made to the names, genders and ethnicity. When the cast was announced at first, Le.

Var Burton was the main actor highlighted because of his work on the Roots mini series; his character, Geordi La Forge was named for a disabled fan. Although the casting was managed by producers Rick Berman and Robert H. Justman, Roddenberry intervened to switch the characters assigned to Marina Sirtis and Denise Crosby.

Sirtis took over Crosby's role as Deanna Troi, and Crosby became Tasha Yar, who had been named Macha Hernandez while Sirtis held the part. Behind the scenes, the writing team became chaotic. Eddie Milkis had quit prior to casting, with Berman taking over from him.

Roddenberry's insistence on re- writing scripts and unusual behaviour alienated some staff. Watch Ben Collins Stunt Driver Online Full Movie. Longtime Star Trek contributor D. C. Fontana quit, filing a claim with the Writer's Guild of America as she had been acting as story editor but was unpaid in the role.

Such were the troubles that the series had a problem recruiting potential writers halfway through the season. By the end of the second season, all the writing staff recruited during season one except for Rick Berman had quit.

As the series was being launched directly into syndication, there were concerns that it could affect the ratings. While highly anticipated, initial reviews other than for . The second episode, . It was nominated for seven Emmy Awards, winning in makeup, costume design and sound editing.

The season was first released on DVD on March 2. Region 1, and was subsequently released in other regions. The region- free Blu- ray releases came in July 2. Production. This was not the first time that this had been considered following the success of Star Trek: The Original Series in broadcast syndication, as a series entitled Star Trek: Phase II had been briefly worked on in the late seventies between attempts at creating a film based on The Original Series. The pilot episode of Phase II, entitled . Paramount spoke to Leonard Nimoy, who was still portraying Spock in the film franchise, about the new series.

They offered him the chance of producing the new series, but he turned them down due to the time commitment. Next, Paramount sought to consult franchise creator Gene Roddenberry.

He turned down the idea of running the show, given the time that production of The Original Series had distracted him from his family. But Paramount told him that it would be impossible to pursue the new series otherwise, Roddenberry began to make plans for the series—with a new cast, as he wanted to avoid retreading and recreating the same roles now seen in the film franchise. Although they had not planned on it originally, Paramount hired Roddenberry to oversee the production and fired Strangis.

However, one of his ideas appeared in the premise of The Next Generation, that the Federation and the Klingons had become allies. The first announcement of a new series was made by Roddenberry publicly on October 1. Several stars of The Original Series and the film franchise stated that they did not like the premise of a new series set in the same universe that did not feature them. De. Forest Kelley, who would go on to appear in the pilot as Admiral Leonard Mc. Coy, said that while he understood that the studio wanted to keep the franchise going beyond them, he felt that . James Doohan, who played Montgomery .

Kirk, was concerned with the overexposure of the franchise and how a new television series could affect future films. A memo sent on October 2. Robert H. Justman, an associate producer on The Original Series, was working with Roddenberry on the new plans for a series, which was at that time untitled. They took several influences from the criticism of the previous series in David Gerrold's The Worlds of Star Trek, and brought the writer of . Gerrold would go on to produce the series bible, although Roddenberry would take the credit for it.

Roddenberry also brought together former Star Trek associate producer Eddie Milkis, who had gone on to produce series such as Happy Days. Ideas were suggested such as an android and Klingon marine, which each made it into the final series as well as the great- great- great granddaughter of James T. Kirk, which did not.

Ideas proposed for Phase II were included, such as having the second- in- command leading the away team, an idea originally proposed in Gerrold's The Worlds of Star Trek. Concepts refined from Star Trek: The Animated Series such as the . Roddenberry also insisted that technology failures should not be a routinely used plot device. The new version of the Starship Enterprise was at first designated NCC- 1. The Voyage Home, became NCC- 1.

G. Roddenberry also insisted that the new series would avoid reappearances by alien races well known from the The Original Series, specifically banning Romulans, Vulcans and the majority of Klingons. These plans did not last, with Klingons being central to the plot of . Lewin was the first person to be involved in the series who did not have a background working on the franchise. Fontana, who had originally been Roddenberry's secretary while working on The Original Series and went on to become the story editor for the show, was also brought onto the staff of The Next Generation. She was also the story editor on the new series, but sought a promised associate producer credit. Roddenberry hired costume designer.

William Ware Theiss, who had designed The Original Series costumes, while Milkis and Justman recruited art director Herman Zimmerman. Rick Berman joined the team as the liaison between Roddenberry's team and Paramount Television.

Roddenberry proved a tough negotiator in hiring staff. When he made his first offers to recruit Gerrold and Fontana, they were each under the minimum salaries as designated by the Writer's Guild of America. After Fontana continued to oppose the rates offered that were lower than dictated by WGA rates, Roddenberry brought his personal lawyer, Leonard Maizlish to argue his case. Gerrold found that Maizlish's influence changed Roddenberry, and Gerrold started to be called disloyal by Roddenberry when he disagreed with him. Fontana drafted the script for the pilot episode, .

Black also worked up scripts of their own. Based on the pilot script at that point, and Gerrold and Roddenberry's bible, the design team began to work up plans for the sets and props that would feature in the series. After viewing the movie series sets, they decided that they needed to build a new bridge for the new Enterprise, to meet Roddenberry's proclaimed . Probert, who had worked on the design for Phase II and The Motion Picture based the exterior design for the Enterprise on an abandoned design he had created at the time. Some of the film sets were used, as the film bridge was re- dressed to appear as the battle bridge, and would be further redressed countless times over the course of The Next Generation to represent various bridges. The first staffing change occurred early in 1. Milkis leaving the production.

He had signed a one- year contract, but decided to prioritise other commitments.