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FATTY AND MABEL ADRIFT (1916) -- Roscoe Arbuckle, Mabel Normand, Al St. John, Wayland Trask - FATTY AND MABEL ADRIFT Triangle-Keystone 2674 ft., rel. Jan. 8, 1916. The crust of the Earth is composed of a great variety of igneous, metamorphic, and sedimentary rocks. The crust is underlain by the mantle. The upper part of the. Postcard: Projection booth with two 1912 model Motiograph No. projectors and a GE Mercury Arc Rectifier. Likely the Royal Theatre in Bellefontaine Ohio. Aquarium protein skimmers are one of the most important devices you can use to maintain water quality in a. Protein skimming removes organic pollutants before they.

Projection booth with two 1. Motiograph No. 1- A projectors and a GE Mercury Arc Rectifier. Likely the Royal Theatre in Bellefontaine Ohio.

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Reg Harttreghartt. Profilereghartt. ca.

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D Purpose Stay Out Of School Street Poster By- laws Reg Hartt "Reg Hartt's Cineforum is everything Jane Jacobs wrote about."–Laura Lind, EYE weekly. Hey there! Thanks for dropping by Reg Hartt! Take a look around and grab the RSS feed to stay updated. See you around! Latest Entries ? Towards a Jane Jacobs Toronto “The world is a dangerous place, not because of those who do evil, but because of those who look on and do nothing.” – Albert Einstein Filed Under: 2. Critical Reaction To Reg Hartt Over The Years by admin — Comments Off on Towards a Jane Jacobs Toronto “The world is a dangerous place, not because of those who do evil, but because of those who look on and do nothing.” – Albert Einstein July 2.

The piece in 2. 4 HOURS is close but no cigar. City Inspector Elliott de. Barros states he found a public art gallery at THE CINEFORUM. He did not. In his letter to my landlord he states: From: edebarro@toronto. CC: jcorrei@toronto. Subject: 4. 63 Bathurst St.

Zoning Notice) Date: Mon, 1. Jul 2. 01. 6 1. 9: 4. To whom it may concern, I am a Property Standards Officer with the Municipal Licensing & Standards Dept. City of Toronto. As a result of an investigation commenced after receiving a public complaint I have issued the Zoning Notice of Violation attached to this message.

As I am sure you are aware the property is zoned as “single- family residential”, however, is currently being used as a form of “public art gallery” which is a non- permitted use under the City of Toronto Zoning By- law. I have met with your tenant, Mr. R. Hartt, and discussed the specific use with him and advised him of the need to have the Planning Dept. Preliminary Project Review application which he has formally declined to prepare. I have reason to believe that the property continues to be used on a frequent basis as other than a “single family residential dwelling” and is subject to triggering the issuance of a summons to court for both the property owner and the gallery operator. Should you have any questions or concerns please do not hesitate to contact me.

Elliott de. Barros (edebarro@toronto. In an earlier correspondence de. Barros wrote: “I was hoping that you would re- consider submitting a Preliminary Project Review application as this would be the first step in preventing any further complaints being filed concerning the use of the property.

If you are absolutely opposed to doing so I would like to remind you that I have no option but to issue a formal Zoning Notice by the end of this week.” This last about issuing a formal Zoning Notice I found surprising as not only had he and I agreed when we met that my use of the space is within City Bylaws but also Metro Licensing & Standards had itself expressed that conclusion previously. Two pieces from THE TORONTO STAR: There is an error in the editorial. The city, sicced on Hartt by someone who apparently hates his ubiquitous posters.” The person behind the complaint (who has admitted to being their author) may hate my posters but that is not his reason. THE SUPREME COURT OF CANADA, in the Ramsden Decision defended Street Postering as “FREEDOM OF SPEECH FOR PEOPLE WITHOUT ACCESS TO MAINSTREAM MEDIA ( https: //scc- csc. Ramsden_v_Peterborough_(City_of) ). In the operation of that business he consistently ignores the city’s street postering bylaws ( http: //www. Vgn. VCM1. 00. 00.

RCRD& vgnextchannel=2f. Vgn. VCM1. 00. 00. RCRD , http: //www. City%2. 0Of%2. 0Toronto/Municipal%2. Licensing%2. 0& %2. Standards/1- Files/PDFs/postering. This person has also put up anonymous posters smearing myself and others.

The details of that are in this GLOBE AND MAIL story by Oliver Moore: http: //www. TORONTO STAR Editorial …The city should leave Cineforum alone: Reg Hartt’s Cineforum is an indie institution that Torontonians, and city hall, should cherish. Tues., June 2. 8, 2. The city should drop its misguided fight against Reg Hartt.

For generations of a certain kind of Toronto film buff, Reg Hartt and the cinema- cum- salon he runs out of his rented Victorian on Bathurst Ave., below College, are institutions. Hartt’s little art house is among the stranger, crustier corners of the city’s cultural community, a place where cinephiles have gathered for more than two decades to watch and discuss the classics, from Luis Bunuel to Buster Keaton, Bela Lugosi and beyond. But despite its cult status, the so- called Cineforum’s days may now be numbered. The city, sicced on Hartt by someone who apparently hates his ubiquitous posters, says he is in violation of zoning bylaws and must apply to recategorize his place as a public art gallery. That’s an expensive, time- consuming process, and Hartt, who is 7. The city should retreat and allow this indie institution to continue making its cultural contribution.

It wouldn’t be the first time. In 2. 01. 0, the Cineforum faced shuttering on similar grounds, but received a last- minute reprieve from an unlikely saviour: Rob Ford, ever ready to answer a constituent’s call. The first time the city came after the cinema, in the 1. Hartt’s old friend and champion Jane Jacobs, the late influential urban theorist, saved the day.