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Alfie (1. 96. 6 film) - Wikipedia. Alfie is a 1. 96. British romanticcomedy- drama film directed by Lewis Gilbert and starring Michael Caine. It is an adaptation by Bill Naughton of his own novel and play of the same name.

The film was released by Paramount Pictures. Alfie tells the story of a young womanising man who leads a self- centred life, purely for his own enjoyment, until events force him to question his uncaring behaviour, his loneliness and his priorities. He cheats on numerous women, and despite his confidence towards women, he treats them with disrespect and refers to them as "it", using them for sex and for domestic purposes. Alfie frequently breaks the fourth wall by speaking directly to the camera narrating and justifying his actions. His words often contrast with or totally contradict his actions. This was the first film to receive the "suggested for mature audiences" classification by the Motion Picture Association of America in the US,[4] which evolved into the modern PG rating. The film had its World Premiere at the Plaza Theatre in the West End of London on 2.

March 1. 96. 6. Handsome Cockney chauffeur Alfie Elkins (Michael Caine) enjoys the favours of women, while avoiding any commitment. He ends an affair with a married woman, Siddie (Millicent Martin), just as he gets his submissive single girlfriend, Gilda (Julia Foster), pregnant. Although Alfie refuses to marry Gilda and cheats on her constantly, Gilda decides to have the child, a boy named Malcolm, and keep him rather than give him up for adoption. Over time, Alfie becomes attached to his son, but his unwillingness to commit to Gilda causes her to break up with him and instead marry Humphrey (Graham Stark), a kindly bus conductor who loves her and is willing to accept Malcolm as his own son. She also bars Alfie from any further contact with Malcolm, forcing Alfie to watch from a distance as Humphrey steps into his fatherly role. When a health check reveals Alfie has tubercular shadows on his lungs, the diagnosis, combined with his separation from his son, leads him to have a brief mental breakdown.

Alfie spends time in a convalescent home, where he befriends a fellow patient named Harry (Alfie Bass), a family man devoted to his frumpy wife Lily (Vivien Merchant). When Alfie flippantly suggests that Lily might be cheating on Harry, Harry confronts Alfie about his attitudes and behaviour. Alfie is released from the home and meets Ruby (Shelley Winters), an older, voluptuous, affluent and promiscuous American, while freelancing taking holiday photos of tourists near the Tower of London. Alfie returns to the convalescent home to visit Harry, who asks him to give Lily a ride home. Neither Alfie nor Lily initially want to spend time together, but they agree to please Harry, and the ride home turns into a one- night stand. Later, Alfie picks up a young hitchhiker, Annie from Sheffield (Jane Asher) who is looking to make a fresh start in London and moves in with him.

She proves preoccupied with a love left behind, scrubbing Alfie's floor, doing his laundry, and preparing his meals to compensate. He grows resentful of the relationship and drives her out with an angry outburst, later regretting it. Around the same time, Lily informs him that she is pregnant from their one encounter, and the two plan for her to have an illegal abortion to keep Harry from finding out.

The abortion proves traumatic for both Lily and Alfie, with Alfie breaking down in tears upon seeing the aborted fetus. The stress of the situations with Annie and Lily makes Alfie decide to change his non- committal ways and settle down with the rich Ruby.

Join to Watch Anal Beauty Top Rated Videos. Don't wait! We have the best 100% exclusive and high definition teen porn videos in the web! The single setting is a well-appointed London home on an auspicious night for hostess Janet (Scott Thomas), a career politician celebrating her prestige promotion to. Tickets for Concerts, Sports, Theatre and More Online at TicketsInventory.com. Alfie is a 1966 British romantic comedy-drama film directed by Lewis Gilbert and starring Michael Caine. It is an adaptation by Bill Naughton of his own novel and. Scan Magazine Contents. Contents COVER FEATURE. 36. 36 Ulrich Thomsen – Hollywood Dane coming home Denmark’s Hollywood pride and joy returns to his home country. Festen is a 1998 Danish film, produced by Nimbus Film and directed by Thomas Vinterberg. It was released under the title The Celebration in the United States.

However, upon visiting Ruby, he finds a younger man in her bed. He encounters Siddie again, but she has lost interest in him and returned to her husband. Alfie is left lonely and wondering about his life's choices, then asks the viewers "What's it all about? You know what I mean." The film concludes as Alfie comes across an old, stray dog that he encounters at the beginning of the movie and they walk the empty street together.

Production[edit]The film is unusual in that it has no opening credits and the end credits feature photos of the principal actors, as well as of the main technical crew, including director Gilbert and cameraman Otto Heller. It was shot at Twickenham Studios with scenes shot at several locations in London; [5] including Waterloo Bridge which is seen at the beginning and end of the film where the title character walks into the distance accompanied by a stray dog[6] and Tower Bridge which is the backdrop for the photography scene with Shelley Winters.[7]Several well- known actors, including Richard Harris, Laurence Harvey, James Booth and Anthony Newley turned down the title role due to the then- taboo subject matter. Despite having played "Alfie" on Broadway, Terence Stamp categorically declined to reprise the role on film, so he and casting agents approached his good friend and then roommate Michael Caine: not one to then snub a role about a common man, Caine agreed to do it. He won huge acclaim for the breakthrough role of his career and continued to land better parts. The original film soundtrack featured jazz saxophonist Sonny Rollins with local musicians from London including Stan Tracey on piano, who improvised "Little Malcolm Loves His Dad" (although never credited), Rick Laird on bass, Phil Seamen on drums, Ronnie Scott on tenor sax. The released soundtrack album, recorded in the United States with orchestration by Oliver Nelson, featured Rollins with J.

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J. Johnson – trombone (tracks 1 & 2), Jimmy Cleveland – trombone (tracks 3- 6), Phil Woods – alto saxophone, Bob Ashton – tenor saxophone, Danny Bank – baritone saxophone, Roger Kellaway – piano, Kenny Burrell – guitar, Walter Booker – bass and Frankie Dunlop – drums. The title song, "Alfie", written by Burt Bacharach and Hal David, was sung by Cher over the film's closing credits in the US release.[8] It became a hit for British singer Cilla Black (Millicent Martin sang Alfie on its British release) and for Madeline Eastman and Dionne Warwick. Numerous jazz musicians have covered it and it has become a jazz standard. Reception[edit]Alfie garnered critical acclaim, currently holding a 1.

Rotten Tomatoes.[9]Awards and recognition[edit]Academy Awards. BAFTA Awards. Golden Globe Awards. Cannes Film Festival. The 1. 96. 6 film was followed by Alfie Darling (1. Alan Price replacing Caine.

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An updated 2. 00. Jude Law in the title role. References in popular culture[edit]Much dialogue from the film was sampled by the band Carter USM for their 1. Something. The LP, "Nino Tempo's Rock 'N Roll Beach Party" (1. Liberty Records … LRP3. Alfie's apartment in several key scenes.

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New York post- hardcore band Polar Bear Club references "Alfie Elkins '6. Drifting Thing" off their 2. Chasing Hamburg. The soundtrack to Austin Powers in Goldmember (in which Caine co- stars) contains a song entitled "Alfie (What's It All About Austin)" performed by Susanna Hoffs. This song is a cover of the original film's title song, with all occurrences of "Alfie" replaced with "Austin". The film inspired The Divine Comedy's Becoming More Like Alfie, which samples its opening dialogue in its introduction.

See also[edit]References[edit]External links[edit]. Bruce Almighty Full Movie Online Free.

The Party' Review Hollywood Reporter. A gathering of old friends fasten their seatbelts for a bumpy night of explosive revelations in The Party, a Berlin competition contender from veteran British writer- director Sally Potter.

Boasting a stellar international ensemble cast including Patricia Clarkson, Cillian Murphy, Kristin Scott Thomas and Timothy Spall, Potter’s talk- heavy chamber farce was filmed on a West London studio set in just two weeks, which may help explain its adrenalized energy and lean running time. Attractively shot in timeless monochrome, The Party is indebted to a long tradition of dinner- party- from- hell classics including Mike Nichols’ Who’s Afraid of Virginia Woolf?, Luis Bunuel’s The Discreet Charm of the Bourgeoisie and Thomas Vinterberg’s Festen. Alas, Potter never musters the same taboo- trashing satirical bite as these cinematic landmarks. Despite touching on some edgy themes, The Party is ultimately a conventional comedy of social manners.

How very British. Which may sound like damning Potter with faint praise, but not so. The Party might lack the striking originality of her more formally experimental work, like Orlando or The Tango Lesson, but it puts a contemporary spin on a reliably popular genre, and is arguably the most effortlessly fun film of her career. The starry cast and witty script should boost theatrical potential outside the festival circuit, and could even score Potter a rare commercial hit. The single setting is a well- appointed London home on an auspicious night for hostess Janet (Scott Thomas), a career politician celebrating her prestige promotion to shadow health minister in the unnamed parliamentary opposition party. Ominously, her academic husband, Bill (Spall), appears to be in shock at the news, numbing himself with booze to a soundtrack of jazz and blues on crackly old- school vinyl.

Among the first guests at the party is April (Clarkson), a former idealist turned wisecracking cynic, accompanied by an unlikely partner in the shape of ageing New Age hippie Gottfried (Bruno Ganz). Martha (Cherry Jones) is a veteran feminist college professor whose younger English wife, Jinny (Emily Mortimer), has just learned she is pregnant with triplets. The wild card in the pack, millionaire banker Tom (Murphy), arrives in a highly agitated state with a generous stash of cocaine and a concealed firearm. What could possibly go wrong? Everything can, of course, and dutifully does. Sticking to classic farce rules, almost everybody in The Party is harboring a dark secret which will shatter their cosy complacency by the end of the evening. Following a dramatic confession of terminal illness, extramarital affairs come to light, relationships teeter on the brink of collapse, barbed words are exchanged and punches thrown.

And then the gun comes out. Over 7. 1 crisp minutes of fast- paced verbal combat, Potter tests the age- old theory that it’s all fun and games until somebody gets knocked unconscious.

Filming just as the Brexit vote took place, Potter’s avowed agenda with The Party was to make a state- of- the- nation commentary on 2. Britain. Underscoring this intention, she opens with guitarist Fred Frith’s gorgeously mournful avant- blues take on the ico nic English hymn Jerusalem. The dialogue also touches on timely talking points including current fashions in feminism, social media trolls, disillusionment with mainstream democratic politics and the ongoing crisis in the U. K.’s National Health Service. But these are largely cosmetic details. In its evergreen themes and stylistic essentials, The Party is the kind of self- skewering middle- class farce that could have graced a West End stage at any point during the last five or six decades. These chamber- farce conventions occasionally creak a little.

It stretches credibility that any of these ill- matched couples would end up together in real life, and it is an even more absurd contrivance that none have shared their secrets before this fateful night. Most of the protagonists are brittle caricatures, while some of the performances shade into the sort of over- emphatic mugging that might work onstage but looks hammy in big- screen close- up. Even so, The Party is full of cheeky narrative twists and delightful surface details.

Alexey Rodionov’s sumptuous black- and- white photography reinforces the sense of classic ingredients repackaged in a contemporary context. Likewise the sublime musical backdrop of antique jazz, blues and reggae from the likes of Bo Diddley, John Coltrane and Albert Ayler. Crucially, Potter keeps the energy fizzing and the jokes crackling throughout the drama’s short span, which unfolds in something like real time. Clarkson gets most of the sharpest lines, and delivers them with deadpan relish.

Tickle an aromatherapist and you find a Nazi,” she scoffs at Gottfried. You’re a first- class lesbian and a second- rate thinker,” she tells Martha. Watch Heights Online Goodvideohost there.

More of this Bette Davis- level acidity would have been welcome in a charming little tragicomedy which flirts with savage social satire but never fully embraces it. Production companies: Great Point Media, Adventure Pictures. Cast: Patricia Clarkson, June Cherry, Bruno Ganz, Emily Mortimer, Cillian Murphy, Kristin Scott Thomas, Timothy Spall.

Director- screenwriter: Sally Potter. Producers: Christopher Sheppard, Kurban Kassam. Cinematographer: Alexey Rodionov. Editors : Anders Refn, Emilie Orsini. Production designer: Carlos Conti.

Venue: Berlin International Film Festival (Competition)Sales: ICM Partners (North Amertica), Great Point Media (world)No rating, 7. Greys Anatomy Season 11 Free Streaming.